French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.  Related Paintings of Edgar Degas :. | Cabaret (nn02) | Untitled | Dancer | The Rehearsal (nn03) | Madame Valpincon with Chrysanthemums |
Related Artists:
Thomas Seddon
1821-1856
Orazio Gentileschi
1563-1639 Italian Orazio Gentileschi Galleries Tuscan painter, b. Pisa. His real surname was Lomi, but he adopted his uncle name. He studied in Rome, where he was associated with Agostino Tassi in the decoration of palace interiors. Influenced by Caravaggio, Gentileschi developed a more softly luminous light and a cooler, more lyrical style. He also painted frescoes in Santa Maria Maggiore and in the Lateran. After spending several years in Genoa and in France, he settled in England (1626) at the invitation of Charles I. Gentileschi principal works include The Annunciation (San Siro, Genoa); Flight into Egypt (Louvre); Sibyl (Hampton Court, England); and Moses Saved from the Waters (Prado). He also painted numerous portraits. Artemesia Gentileschi was his daughter.
Sebastiano Ricci
(1 August 1659 - 15 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting. He was born in Belluno, son of Andreana and Livio Ricci. In 1671, he apprenticed to Federico Cerebri of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young pregnant woman to avoid marriage. Imprisoned, he gained release only after intervention of a nobleman, probably a Pisani family member. He married the pregnant mother in 1691, although this was a stormy union. After his arrest, he moved to Bologna, where he domiciled near the Parish of San Michele del Mercato. His painting style there was apparently influenced by Giovanni Gioseffo dal Sole. On 28 September 1682 he was contracted by the "Fraternity of Saint John of Florence" to paint a Decapitation of John the Baptist for their Oratory. On 9 December 1685, the Count of San Segundo near Parma commissioned from Ricci the decoration of the Oratory of the Madonna of the Seraglio, which he completed in collaboration of Ferdinando Galli-Bibiena by October 1687, receiving a compensation of 4,482 Lira.